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      <h5><b><font face="Arial, Helvetica, sans-serif">//<a href="../../../index.html"><font color="#7C420E">loonygames</font></a>://<a href="../index.html"><font color="#7C420E">issue 
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                      <p><b><font face="Arial, Helvetica, sans-serif" color="#0000FF"><i><font color="#904C10" size="3">Pad 
                        Happy: Death of a Console?</font></i></font></b><br>
                      <div align="right"> <font face="Arial, Helvetica, sans-serif" size="-1">By 
                        <a href="mailto:nickf@writeme.com">Nick Ferguson</a></font></div>

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                    <h5 align="right"><b><font face="Arial, Helvetica, sans-serif" color="#00025E">Vol. 
                      2, Issue 9<br>
                      January 27, 1999&nbsp; </font></b></h5>
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              <div align="left"><font face="Arial, Helvetica, sans-serif" size="3"><loonystart></font></div>
              <loonystart>
              <p>&nbsp;</p>
              
            <p align="left"><font face="Arial, Helvetica, sans-serif">The N64 
              was never the &quot;cool&quot; console to own, but I think it always 
              had more soul than the PlayStation. I remain highly suspicious of 
              people who dismiss the machine out-of-hand as a piece of junk - 
              it's a barometer I use to gauge gaming taste and (dare I say it) 
              sophistication. I mean, if you want an example that elegantly distills 
              the difference in philosophy between the two systems, just look 
              at their respective launch titles (<b>Super Mario 64</b> and <b>Ridge 
              Racer</b>) - it says a lot about the mentality behind the two machines' 
              very different kind of success. </font></p>
            <p align="left"><font face="Arial, Helvetica, sans-serif">Sure, the 
              popularity of PlayStation has accurately reflected the growth of 
              the games industry in more ways than one, but as our favorite pastime 
              becomes a mass-market phenomenon, we've seen the effects of mass-market 
              demographic tastes ooze their way into many bland, generic titles 
              (to the chagrin of the increasingly outnumbered and irrelevant &quot;hardcore&quot; 
              gamer). Drawing a comparison with the film industry, perhaps Nintendo 
              is destined to go the way of art-house movies (critics' favorites 
              but largely shunned by the mainstream) while Sony creates a Lucas-like 
              empire based on simply rehashing existing genres?</font></p>
            <p></p>
            <p><font face="Arial, Helvetica, sans-serif">I like to think of the 

              N64 as a victim of the increasing mass-consumerization of the games 
              industry. After all, we now have an industry where <b>Tomorrow Never 
              Dies</b> on PlayStation can make its way into the UK all-format 
              top 3 for 1999 (despite being a piece of crap) whereas a crafted 
              piece of genius like <b>Jet Force Gemini </b>gets nowhere near it. 
              Smoke 'em while you got 'em, N64 owners...</font></p>
            <p></p>
            <p></p>
            <p align="right">&nbsp;</p>
            <p align="right"><font face="Arial, Helvetica, sans-serif"><i><font size="2">- 
              Nick Ferguson wants to know what happened to Metroid 64.</font></i></font></p>
            <p align="left"></p>
              <p align="right">&nbsp;</p>
              <p align="left"><font face="Arial, Helvetica, sans-serif"></loonystart></font></p>
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<p><i><font face="Arial, Helvetica, sans-serif" size="-2">Credits: Illustration 
  &copy; 2000 Dan Zalkus. Pad Happy is &copy; 2000 Niick Ferguson. All other content 
  is &copy; 2000 loonyboi productions. Unauthorized reproduction is prohibited, 
  so watch it - we know kung fu, gaijin.</font></i></p>
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