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      <h5><b><font face="Arial, Helvetica, sans-serif">//<a href="../../../index.html"><font color="#7C420E">loonygames</font></a>://<a href="../index.html"><font color="#7C420E">issue 
        2.3</font></a>://<a href="index.html"><font color="#7C420E">pixel obscura</font></a>://<a href="index.php"><font color="#7C420E">1</font></a>, 
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          <td align="LEFT" valign="TOP" width="100%"> <font color="#000000" face="Arial, Helvetica, sans-serif" size="2"> 
             </font> <p><webdog><font face="Arial, Helvetica, sans-serif" size="2" color="#0022A8"><b><font color="#693A0C">What's 
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<p><b><font face="Arial, Helvetica, sans-serif" size="2"><a href="../../../index.html" target=""><b><font color="#00025E">New!!!</font></b></a><br></b>
  The archives have been cleaned up, dead links fixed, and the printable versions restored! Also, don't miss the new comments on the main page!</font></p>

 
<p><b><font face="Arial, Helvetica, sans-serif" size="2"><a href="../../2.15/feat/index.html" target=""><b><font color="#00025E">Livin' 
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  Obscura </font></b></a></font><font face="Arial, Helvetica, sans-serif" size="2"><br>
  Josh Vasquez on <b>Omikron: The Nomad Soul</b>.</font></p>
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              <p align="left"><font size="-1"><font face="Arial, Helvetica, sans-serif" size="2" color="#0022A8"><b><font color="#00025E">Random 
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                      <p><b><font face="Arial, Helvetica, sans-serif" color="#0000FF"><i><font color="#904C10" size="2">Pixel 
                        Obscura: </font><font color="#904C10" size="4"><br>
                        <font size="3">Broken Earth</font></font></i></font></b><br>
                      
                      <div align="right"> <font face="Arial, Helvetica, sans-serif" size="-1">By 

                        <a href="mailto:citizen21@hotmail.com">Josh Vasquez</a></font></div>
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                    <h5 align="right"><b><font face="Arial, Helvetica, sans-serif" color="#00025E">Vol. 
                      2, Issue 3&nbsp; <br>
                      November 23, 1999&nbsp; </font></b></h5>
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              <p align="left"><font face="Arial, Helvetica, sans-serif"><loonystart></font></p>
              <p align="left"><font face="Arial, Helvetica, sans-serif">In <b>Fallout 
                2</b>, the role of the narrator was expanded to include recapping 
                the first game. As a result the voice, by having to drone on, 
                only served to drill into the viewer just how overused a tool 
                it was...<b>Fallout</b> needs no elongated introduction. The creators 
                limit the use of the narrator to add just the right amount of 
                atmosphere. Underneath the voice, photographic stills punctuate 
                the story, tortured black and white prints as silent evidence. 
                In one painting, a nationalistic poster, Uncle Sam stands, shirt 
                sleeves rolled up, huge American flag billowing out behind him 
                like a manmade cloud, in front of an armada of planes, all flying 
                in formation in the aesthetics of war.</font></p>
              <p align="left"></p>
              <p align="left"><font face="Arial, Helvetica, sans-serif">We see 
                cities and tunnels, burning ships and wrecked oil fields, antiquated 
                machines and massive structures. In these images scale becomes 
                a horrifying thing, like when looking at people standing next 
                to the base of a ship in dry dock fills you with an unexplainable 
                fear. There is a sense in these images of industrial projects 
                designed to negotiate a teetering earth, ghosts leaking out of 
                its bending axis. The images appear taken from the 1930's, and 
                perhaps it's appropriate considering that the third decade of 
                the 20th century was a time when the future seemed to reach back 
                and pierce the present. The Depression and Flash Gordon, pagan 
                rituals as politics and airships docking with the Empire State 
                building...2077 might as well be 1939 in these snapshots taken 
                just before an apocalyptic opening of our eyes. </font></p>
              <p align="left"></p>
              <p align="left"><font face="Arial, Helvetica, sans-serif">We've 
                seen things fall apart many times; in <b>Fallout</b> the world 
                ends to the tune of a 1920's pop song.</font></p>
              <p align="left"></p>
              <p align="left"><font face="Arial, Helvetica, sans-serif">&quot;Maybe 
                you'll think of me, when you are all alone,&quot; a melancholy 
                voice sings while, on a television screen, newsreel footage records 
                the coming end. Animated characters, straight out of Disney Studios, 
                make the idea of having to live in underground vaults more comforting 
                as soldiers shoot civilians in the head, laughing and waving to 
                the camera. The image slowly pulls back, revealing a burnt out 
                city in the distance. The television is playing to a dead world, 
                the very house it's in shattered to a ruined wooden iceberg. The 
                song, a lament for lost love, becomes a mass for a broken earth. 
                &quot;Maybe you'll sit and sigh, wishing that I were near...&quot; 
                but there's no one left</font></p>
              <p align="left"></p>
              <p align="left"><font face="Arial, Helvetica, sans-serif">One can 
                only hope that the team working on <b>Fallout</b> deliberately 
                crafted this opening to their game with full intention of leaving 
                the player with a slightly haunted feeling. <b>Fallout 2 </b>seems 
                proof of this as it continues the same basic structural ideas. 
                In both <b>Fallout</b> games, the creative team at Black Isle 
                has shown commitment to maintaining a sense of humor and style 
                in presenting a darkly graceful vision of the end.</font></p>
              <p align="left"></p>
              <p align="left"></p>
              <p align="left">&nbsp;</p>
              <p align="right"><font face="Arial, Helvetica, sans-serif"><i><font size="2">- 
                Joshua Vasquez is the resident film critic here at loonygames. 
                He also writes for the Internet film site <a href="http://www.matineemag.com/">Matinee 
                Magazine</a>.</font></i></font></p>
              <p align="left"><font face="Arial, Helvetica, sans-serif"><font size="1"><i>(Editor's 
                note: the preceding is a revised version of an article that originally 
                ran in Volume 1. Josh requested this revision, as he felt the 
                piece to be one of his best. A brand new edition of Pixel Obscura 
                will run next week.)</i></font><font size="2"><br>
                </font><i><font size="2"></loonystart></font></i></font></p>
              <p></p>
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            <p align="left"><font face="Arial, Helvetica, sans-serif"><a href="index.php"><font color="#7C420E"><b><font size="+1">&lt;&lt;Prev</font></b></font></a></font></p>
            
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<p><i><font face="Arial, Helvetica, sans-serif" size="-2">Credits: Pixel Obscura 
  is &copy; 1999 Josh Vasequez. All other content is &copy; 1999 loonyboi productions. 
  Unauthorized reproduction is prohibited, you cartoonish villian, you.</font></i></p>
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