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              <p><font color="#0000FF"><b><font face="Arial, Helvetica, sans-serif" color="#0000CC">volume 
                1, issue 6</font></b></font></p>
              <p><font color="#0000FF"><b><font face="Arial, Helvetica, sans-serif" color="#0000CC"> 
                </font></b></font></p>
              <p>  <p><font face="Courier New, Courier, mono"><b><font color="#339900" face="Arial, Helvetica, sans-serif">Today 
                in loonygames:</font></b></font></p>

<P><font color="#000000" face="Arial, Helvetica, sans-serif" size="-1">New!!</font><font face="Arial, Helvetica, sans-serif" size="2"> The Archives have been cleaned up, fead links fixed, and printable versions restored! Also, don't miss the new comments <a href="../../../index.html">on the front page</a>!</font></p>
              
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        <p align="LEFT"><font face="Arial, Helvetica, sans-serif" color="#0022A8"><b><a target="" href="../../corner/index.html"><font size="-1">Thinking 
          Outside the Box</font></a><font size="-1">:</font></b></font><font face="Arial, Helvetica, sans-serif" size="+3" color="#0022A8"><br>
          Low Poly Tricks, Tips &amp; Techniques</font></p>
        <p align="LEFT">&nbsp;</p>
        <p align="RIGHT"><font color="#804000"><b><font face="Arial, Helvetica, sans-serif">By 
          Paul &quot;<a target="_self" href="mailto:paul@loonygames.com">Villam</a>&quot; 
          Steed</font></b></font> 
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        <p align="LEFT"><font face="Arial, Helvetica, sans-serif"><b><font color="#0022A8" size="+1">Curve 
          Angle</font></b></font></p>
        <p align="LEFT"><font face="Arial, Helvetica, sans-serif">Curve angle 
          is what I call the angle made by the edge of a low-poly curve. If the 
          curve angle is low enough I'll make it higher to the point of acceptable 
          by reducing the segments or facets that make up the curve of the shape. 
          Therefore the lower the curve angle the more likely the chance a shape 
          can be optimized.</font></p>
        <p align="CENTER"><font face="Arial, Helvetica, sans-serif"><img src="images/lectur19.jpg" width="396" height="290"></font></p>
        <p align="LEFT"><font face="Arial, Helvetica, sans-serif"><b><font color="#0022A8" size="+1">Having 
          the Right Set of Balls</font></b></font></p>
        <p align="LEFT"><font face="Arial, Helvetica, sans-serif">When creating 
          spheres or a partially spherical geometry consider using a geodesic 
          sphere instead of a latitudinal/longitudinal sphere. L-spheres are nice 
          and tidy, but not very frugal when it comes to low-poly. Check this 
          out…</font></p>
        <p align="CENTER"><font face="Arial, Helvetica, sans-serif"><img src="images/lectur32.jpg" width="401" height="288"></font></p>
        <p align="LEFT"><font face="Arial, Helvetica, sans-serif">The g-sphere 
          on the left may not look as pretty as the l-sphere but it is more efficient 
          <i>and </i>more effective. Here's why…</font></p>
        <p align="CENTER"><font face="Arial, Helvetica, sans-serif"><img src="images/lectur33.jpg" width="355" height="254"></font></p>
        <p align="LEFT"><font face="Arial, Helvetica, sans-serif"><b><font color="#0022A8" size="+1">Conclusion</font></b></font></p>
        <p align="LEFT"><font face="Arial, Helvetica, sans-serif">So, like I said. 
          Next week I'll post the walk-through of modeling an object/monster that 
          would have been in <b>Quake 3</b> if we hadn't gone the <b>Arena</b> 
          route. Later on I'll go over how I made Shauna. I would have done it 
          this time but putting these tutorials together eats the hell out of 
          my time. Since <b>Quake3: Arena</b> is eating my shorts right now in 
          terms of time bandwidth, I think you can understand who wins. Be cool, 
          kids and practice, practice, practice (safe sex). :] </font></p>
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      <p><i><font face="Arial, Helvetica, sans-serif" size="-2"> </font></i><i><font face="Arial, Helvetica, sans-serif" size="-2"><b>Credits:</b> 
        Thinking Outside the Box logo illustrated and is &copy; 1998 Dan Zalkus. 
        Thinking Outside the Box is &copy; 1998 Paul Steed. All other content 
        is &copy; 1998 <a target="_self" href="http://www.loonyboi.com">loonyboi 
        productions</a>. Unauthorized reproduction is strictly prohibited, so 
        don't even try it. We've got really big guns, and we're ripped, baby.</font></i></p>
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